Plank Road Folk Music
Society
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Folk music is alive and well
. . .
. . . when Lilli Kuzma hits
the airwaves — every Tuesday
night!
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For those of you who are
regular listeners to Lilli
Kuzma’s Tuesday evening Folk Festival, you already know. For those
of you who may have heard of
Lilli, or who have seen her ad
below in this newsletter, it’s
time to get to know her.
She hosts Folk Festival
on WDCB 90.9 FM, from 8 to 11 pm
every Tuesday night. And she’s
been doing it for 22 years.
Lilli brings her love of folk
music and other genres to the
program with her signature
brand of quirky humor and fun
— along with insights and
information.
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Lilli offers an eclectic mix
of folk artists and
styles
“We try to cover it all,”
says Lilli, “From traditional
and contemporary folk, to
doses of related and
influential styles — including
folk-rock, bluegrass, country,
blues, Celtic, world,
Americana, and more.”
And, the show is usually
broadcast live, bringing a
fresh and direct presence to
her listeners. “While I
usually host the show live, I
do record certain programs and
special segments,” says Lilli.
“The pandemic required that I
record the entire show for a
year and a half, which
sharpened my recording skills.
And I now have a small home
studio equipped for this
purpose.”
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ABOVE: Lilli Kuzma and Mark Dvorak
in the WDCB studio.
Each week Lilli features
unique themes plus topical and
historical segments. While her
programing was modified during
the pandemic, she says things
are gradually returning to
‘normal,’ with live studio
guests — both Chicago-based
and national touring acts —
including a number of Plank
Road artists. “My event night
concerts should resume soon,”
she adds.
“We frequently offer ticket
and CD giveaways,” says Lilli,
“And on each show we tell
listeners about area and
regional concerts, workshops,
and events, with the
Chicagoland Folk
Calendar.”
It's all about the music . .
.
In 2001 Lilli started in
rotation on Folk Festival
with the late George Brown,
then became the sole weekly
host in 2007. She’s a lifelong
Chicagoland resident, a
graduate of Loyola University
of Chicago, and has a
background that includes music
performance, artist
management, and event
production.
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“I play guitar, piano and
organ,” says Lilli, “And have
performed in folk duos and
trios, rock bands, and jazz
combos.” She’s also an
accomplished freelance writer,
and her features on music and
entertainment topics have been
published by the Chicago
Sun-Times, Pioneer Press, and
Chicago Tribune Media
Group.
So, what is WDCB?
WDCB is a a non-commercial,
listener-supported station.
Here’s what the Chicago
Tribune once said about
WDCB:
“On the far left side of the
radio dial, past the
alternative rock of WXRT, is
an odd little radio station.
It seems hellbent on breaking
all the rules, continually
providing aural surprises for
listeners.''
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WDCB was established in 1977,
and has evolved since that
time to become Chicago's
premiere station for jazz and
blues. “But folk and
roots music, Americana,
Celtic, and bluegrass are
recognized by the station as
an important part of the
programming,” says Lilli.
As a result, the Folk Festival
show was expanded from its
original two hours to a
three-hour show by current
WDCB manager, Dan Bindert. “He
and his staff have been
wonderfully supportive of the
folk show and its events too,"
says Lilli.
The station is based at
College of DuPage in Glen
Ellyn. But unlike most
college-based stations, WDCB
is not student-run. It has a
full-time professional staff —
with COD students gaining
experience working as
aides.
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Listen to Lilli’s Folk Festival
and other WDCB programming,
by tuning your radio to 90.9
FM.
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WDCB is also available to
anyone in the world,
streaming live at
WDCB.org
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You can visit
their Facebook page
and also listen to streaming
audio via their
website here.
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If you miss a live show, Folk Festival
programs are archived for
two weeks following the
broadcast, and can be
accessed at https://wdcb.org/archive
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To join the Folk Festival
mailing list, or for event
and other information, email
Lilli at LKupbeat@aol.com.
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Great music . . .
and
BBQ in KC!
Ashley & Simpson attend
Folk Alliance International in
Kansas City.
Joel Simpson and Jennifer
Ashley experienced amazing
folk music, while making
contacts with numerous
performers and music industry
people at the Folk Alliance
International Conference in
Kansas City — not to mention
showcasing their own
considerable talents at
several showcase events. ABOVE: Jennifer and Joel before
their
private showcase in the FARM
room.
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The conference, held February
21-25, was attended by around
2,000 industry people, artists
and associates within the
international folk
communities. “We primarily
attended to listen to the many
artists showcasing their
talents,” says Joel. “But we
were also able to perform at
the Folk Alliance Region
Midwest private showcase
room.”
“There were so many great
performers it was
overwhelming,” says
Jennifer. “We also saw
many friends like Ordinary
Elephant, The Rough &
Tumble, and many
more. And even found time
to talk and sing with local
friends like Heather Styka and
Joe Jencks.”
The Folk Alliance
International is a whirlwind
experience . . .
During the day there was an
exhibit hall, daytime sessions
and panels for business
development. “For example,”
recalls Jennifer, “We attended
the Presenters’ meeting to
discuss current topics
relevant to venues like the
Two Way Street Coffee
House.”
In the evenings, the official
showcases began, with a
dozen rooms to watch artists
present themselves. Then,
each night there were four
floors of over 50 private
showcase rooms. “These rooms
featured performers all night until 3:00
AM,”
says Jennifer.
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Ah, but then there’s that KC
barbecue . . .
“Kansas City is pretty
serious about their barbecue,”
says Jennifer. “And if
any of you have seen Joel eat,
you know BBQ is not something
he takes lightly.”
“Being in Kansas City
presented the perfect
opportunity to conduct some
proper research by visiting
six legendary restaurants,”
says Joel. “Including
RJ’s Bob-be-que, Arthur
Bryant’s, Gate’s, Q39, the
Woodyard and Slap’s.”
“Each one, having specialties
that stood out, was
delicious,” says Jennifer.
“After much deliberation and
boisterous debate, we
concluded the overall best was
Q39.”
Jennifer added that while
they would recommend any and
all of the restaurants, “We do
NOT recommend eating barbecue
six days in a row.”
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Creative covers
Arranging and performing
other people’s songs.
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Some of us write our own
songs, but all of us
do songs written by others.
Here are a few ways to make your version
of other people’s songs feel
like your own.
Do songs you love.
This seems obvious. Doing a
cover of a song only because
it’s popular, but doesn’t
exactly light your fire, can
be a waste of time. Stick with
songs you love — songs that
energize you, and make you
feel good whenever you do
them.
Pick songs you want to learn
from.
Work on covers as an
opportunity to deepen your
musical knowledge. What is
that great chord change that
sends a little shiver through
you? Where do the rhymes fall?
How does the melody of the
chorus or bridge contrast with
the verse?
Make it your own style.
Don’t feel you have to play it
like the record. Trying to
recreate the sound of a
classic track can be fun and
educational, but also
discouraging if you don’t get
it quite right. Instead, make
it your own.
Experiment with the tempo and
the arrangement. Maybe it’s an
up-tempo song that could
become “your own” by slowing
it down or making it more
“bluesy.” Change the key to
suit your voice. Find a fresh
approach with a different capo
position, or different tuning
or picking style.
Get close to it, then get
away from it.
When you’re initially working
on a cover, you probably try
to figure out as many details
of the original as you can, so
you start to feel comfortable
with it. But then put aside
the original track and let
your version evolve in your
own hands and voice. Let it
take on your own style.
A straight-up cover of a song
that everyone, including you,
has heard a hundred times just
isn’t as much fun as a cover
that truly feels like your
own!
The article includes excerpts
from the March/April 2023
issue of Acoustic Guitar
magazine.
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Two Way Street Coffee House —
Friday Night Concert
Series.
Doors open at 7:30pm and
concerts start at
8pm. You can also view
concerts online — more
information on Two Way Street Coffee
House
or
Facebook.
Maple Street Concerts.
Live concerts have returned
to Maple Street Chapel in
downtown Lombard. Concerts are
subject to CDC guidelines.
Please check the Maple Street website
for concert listings.
Other venues . . .
- Acoustic Renaissance
Concerts
- Old Town School Of Folk
Music
- Tobias Music Concerts
- Friends of Lisle Library
Concerts
Some venues have live
concerts — check their
websites to confirm.
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Now Streaming!
Down the Old Plank Road -
Volume 3,
can be heard free of charge on
most streaming sites! Listen
to music by Mark Dvorak, George Mattson Trio, Ashley & Simpson, and the Plank Road String Band, plus tunes by other Plank
Road members.
Just look for Down the Old Plank Road
Volume 3. (Be sure to enter the complete
title.)
* Apple Music * iTunes *
Spotify
* Pandora * Amazon Music
* YouTube Music * Bandcamp
* And many others!
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In the pantheon of Chicago’s
greatest Top 40 and Rock DJs,
who were the greatest?
This writer believes it was a
triumvirate of three: Dick Biondi, Larry Lujack, and the late, great Lin Brehmer.
By Bill Lemos
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I grew up with all three of
those disc jockeys, including Dick Biondi
at night in South Dakota when
I was a teenager. When the
atmospheric conditions were
right, Chicago’s WLS radio
waves spread across much of
the Midwest.
Many years later my wife and
I met Biondi in a shopping
mall while he was doing a
promotion. He was in his 80s
then, and a real gentleman —
even signing a record album
cover for us!
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Biondi is still around — he’s
90 years old — and one of the
original Top 40 “screamers,”
known for his delivery and
wild antics on the air and
off. In a 1988 interview,
Biondi said he had been fired
23 times, from both fits of
temper and jokes gone wrong.
He worked at a number of radio
stations, but first earned his
reputation at WLS-AM in
Chicago. He was the first
American DJ to play the
Beatles.
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Then there was Larry Lujack — known for his gravelly voice,
sometimes surly disposition
and world-weary sarcastic
style. His radio persona paved
the way for shock jocks like
Howard Stern. Lujack’s style,
which also included strategic
pauses, audible
paper-shuffling and references
to himself in the third
person, shaped (unfortunately)
the style of Rush Limbaugh,
who once said Lujack was “the
only person I ever
copied.”
Lujack spent over 20 years at
Chicago stations, including
WLS and WCFL. Known on the air
as Uncle Lar and Superjock,
his popular routines included Klunk Letter of the Day,
Cheap Trashy Show Biz
Report, and the darkly humorous Animal Stories
with sidekick “Little” Tommy
Edwards.
Before Lujack hit the Chicago
airwaves in 1967, Top 40 DJs
were known for rapid-fire
patter, velvet sonorities and
inexhaustible cheer. Lujack
was laconic, sandpapery and
curmudgeonly — and, to judge
from the one million listeners
he gained at his height,
delightfully so. He died in
2013.
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January was a particularly
bad month for musicians. The
toll included disc jockey Lin Brehmer,
and while he was not known as
a musician, he knew music —
from folk and blues to hard
rock. As far as I know, he was
the only DJ in Chicago who
played John Prine, and other
alternative “folkie” artists
on a rock station.
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Brehmer died January 22
following a battle with
prostate cancer. He was 68. He
worked at WXRT for more than
three decades. He loved the
Cubs, music, theater and food
scenes and touched many
Chicagoans, though most never
met him. My son worked with
him as an ‘XRT intern, and I
was fortunate to meet him
briefly (at a bar of
course).
His colleague Terri Hemmert
posted a statement saying “It
is with a heavy heart that we
must inform you that we all
lost our best friend.”
“He was everybody’s best
friend because he wasn’t an
announcer,” recalled WGN’s Bob
Sirott. “He was a real
person on the air. Easy to
relate to as he talked to tens
of thousands of listeners, one
at a time.” In person he
was the same as what we heard
on the radio.
Every day, at some point in
his broadcast, you’d hear him
say, “I’m Lin Brehmer, your best
friend in the whole world.
It’s great to be
alive!”
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Andy's Music Trivia
Quiz
Thanks for your responses.
Good catch on the year in
Question 2, and good answers,
Bill Mathews and Fred
Spanuello. IF you have
any trivia to contribute,
please do!
Answers to previous
Quiz:
Q1. What Beatles
record was a two-sided hit
featuring essentially solos on
both sides?
A1.
A-side =
“Yesterday” & B-side =
“Act Naturally.”
Q2. Who was killed
in a 1960 plane crash near
Kansas City.
A2. Wrong year in question
as noted by 2
respondents. On 05
March 1963, country stars, Patsy Cline,
Hawkshaw Hawkins & Cowboy
Copas, (and the pilot) crashed
near Camden TN, enroute from
Kansas City to
Nashville.
Q3. What was Glen
Campbell's first charting
song?
A3. Here’s one I
thought I knew (would have
gotten wrong). I thought it
was "Kentucky Means Paradise,”
but it was "Turn Around Look
at Me" in which he shows off
his great singing
range.
Q4. Who was
Motown's first solo artist
charting star?
A4. Mary Wells wrote and
sang her first song for Motown
records at the age of 17 in
1960. Under the direction of
Barry Gordy and Smokey
Robinson, she had a string of
hits climaxing with "My Guy"
in 1964.
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Q5. Since we are
in the Chicago area, who are
the DJ's pictured on the
album WLS Treasure Tunes from the
Vault? What label was
it on?
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A5. Left to Right –
Gene Taylor, Art Roberts, Mort
Crowley, Jim Dunbar, Dick
Biondi, Clark Weber & Bob
Hale. Chicago based Chess
Records.
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NEW Trivia Quiz:
Q1. Jim Reeves
died in a self-piloted
airplane crash at the age of
40. What was his first #1
Country/Western hit? How many
charting hits did he have
after his death?
Q2. What song has
been playing constantly
somewhere in the world since
1983?
Q3. Name 2 of
Eddie Rabbit's biggest
hits!
Q4. The Tokens
took "The Lion Sleeps Tonight"
to #1 in 1961. What was their
1st top 20 tune, and what
genre was it?
Q5. On what
Beatles song, do they
repeatedly chant "That's What
I Want"? Who sang
the original?
Q6. Who wrote
Brenda Lee's "All Alone Am
I"? What song was
the writer most famous
for?
Q7. Who was the
banjo player on the Kingston
Trio's first members?
Q8. Who wrote Sam
Cooke's "Wonderful
World"?
Keep those responses coming
in:
pictq@yahoo.com
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George Mattson Trio
gmtrio.com
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Mark Dvorak
markdvorak.com
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Tobias Music
www.tobiasmusic.com
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Cathy Jones
cbjmando@gmail.com
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This past January was
a bad month for
celebrity deaths . . .
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David Crosby
Co-founder of The Byrds and
Crosby, Still & Nash,
David Crosby died January 19.
He was 81.
Born in Los Angeles, Crosby
honed his musical skills at
coffeehouses, clubs and
colleges as a teen. “I
took a job washing dishes and
bussing tables in the
coffeehouse so I could be
there,” he recalled. “And
would beg permission to sing
harmony with the guy who was
singing on stage.”
By the early ’60s, he was
drifting from city to city,
performing and learning from
other musicians, when he
crossed paths with folk singer
Roger McGuinn. The two began
collaborating, electronically
amplifying folk music to
create a style that would
eventually be defined as
folk-rock.
They joined up with Gene
Clark, Chris Hillman and
Michael Clarke to form The
Byrds, famous for its
influential sound. The
band’s first single, a cover
of Bob Dylan’s "Mr. Tambourine
Man," shot into the top 10 in
1965, sparking a creative
momentum that generated hits
such as "Eight Miles High,"
Bob Dylan’s "All I Really Want
To Do" and Pete Seeger’s
"Turn! Turn!
Turn!"
Although known for harmonies,
The Byrds suffered from
discord. Crosby had an
unwelcome habit of
interrupting live performances
with political rants, and the
rest of the band ousted him in
1968.
After parting ways with The
Byrds, Crosby began jamming
with Stephen Stills of Buffalo
Springfield. Graham Nash of
the Hollies finished out the
supergroup that took the name
Crosby, Stills & Nash.
Their 1969 self-titled debut
album catapulted the group to
a best new artist
Grammy.
The trio became Crosby,
Stills, Nash & Young when
Neil Young joined the group.
CSNY claimed its place in
music history with its
performance at Woodstock. In
1970, their songs "Ohio" (a
protest song about the Kent
State shootings) and "Teach
Your Children" demonstrated
their anti-war activism.
In recent years, Crosby
publicly feuded with his CSNY
bandmates, especially Nash,
for reasons he would never
disclose. His stellar
career was often matched by a
chaotic personal
life. Throughout the ’80s
and ’90s, Crosby experienced
drug addiction, weapons
offenses and prison
time. Oh yes, and he famously
served as a sperm donor to
Melissa Etheridge.
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Barrett Strong
One of Motown’s founding
artists and gifted
songwriters, Barrett Strong,
who sang lead (and claimed to
have co-written) “Money
(That’s What I Want),” died on
January 29 at the age of 89.
“Money” was a million-seller
in 1960, and Motown’s first
major hit. Strong was a
singer, piano player, and
songwriter, collaborating with
Norman Whitfield on such
classics as “I Heard It
Through the Grapevine, “War,”
“Papa Was a Rolling Stone,”
and many others.
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Gary Rossington
Guitarist, and last surviving
original member and co-founder
of Lynyrd Skynyrd, Gary
Rossington, died March 5 at
age 71. He survived the
infamous 1977 plane crash that
killed three band
members.
The band created
country-tinged blues-rock and
southern soul. Their biggest
hit was “Sweet Home Alabama,”
which was written in response
to Neil Young’s 1970 song
“Southern Man.” Skynyrd’s 1973
debut album included “Free
Bird," a nearly 10-minute
track that became their
calling card, due in no small
part to Rossington’s
seagull-like slide guitar
leads on his Gibson SG.
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Jeff Beck
Legendary blues-rock
guitarist Jeff Beck died
January 10 at age 78. Beck
rose to fame in the ’60s when
he replaced Eric Clapton in
the Yardbirds. He left a year
later to start his own group,
The Jeff Beck Group, featuring
Rod Stewart and Ron
Wood.
He was inducted into the Rock
and Roll Hall of Fame in 1992
as part of the Yardbirds and
inducted again in 2009 as a
solo artist.
An eight-time Grammy winner,
Beck earned his first in 1985
for best rock instrumental
performance. He went on to win
five more times in that
category.
Beck became attracted to
electric guitar after hearing
Les Paul’s work. Led
Zeppelin’s Jimmy Page said
Beck’s guitar could “weave
around our mortal emotions…
channel music from the
ethereal” with his unique
technique.
Born in Surrey, England,
Beck’s mother wanted him to
play the piano, but Beck took
to the guitar. Eventually, he
bonded with another boy who
was a budding guitarist in his
neighborhood, Jimmy Page. The
two musicians shared a passion
for rockabilly
music.
Beck had an interest in
Motown and sat in on some of
Stevie Wonder’s sessions. At
one point Beck started playing
the drums and Wonder walked
in, liked the groove and wrote
“Superstition” around it. By
the mid-1970s Beck had moved
on from blues rock to
instrumental jazz-fusion. He
spent much of the 1980s
working as a guest musician,
adding solos to albums by Tina
Turner, Mick Jagger, Jon Bon
Jovi and others.
He is considered one of the
most skilled, admired and
influential guitarists in rock
history.
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Lisa Marie Presley
The only child of Elvis
Presley, Lisa Marie Presley,
died suddenly of apparent
cardiac arrest January 12, at
the age of 54. She grew
up in the shadow of her
father's fame – her name even
adorning his airplane.
Although famous from the
moment she was born and a
singer in her own right,
releasing three albums, she
leaped into the pop culture
vortex with her surprise
marriage to embattled pop
superstar Michael Jackson
and, later, Elvis
aficionado and actor Nicolas
Cage. Both those
marriages were short-lived,
although she had four children
through more lasting
unions.
Her son, Benjamin Keough,
died by suicide in 2020. She
said her life and the lives of
her three daughters “were
completely destroyed by his
death.” She also blamed her
troubled life on “bad advice,”
adding, “I was insulated with
no grip on reality. They were
taking my soul, my money, my
everything." Her troubled life
included drug addiction. In
2019 she detailed her
dependence on opioids,
suggesting the damage was both
personal and
professional.
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Burt Bacharach
One of the most prominent
composers in the 1960s and
‘70s, Burt Bacharach died
February 8. He was 94.
Remembered for Top 10 hits
such as Dionne Warwick’s “I
Say a Little Prayer” and “Do
You Know the Way to San Jose,”
Bacharach was also a Broadway
composer, and wrote movie
scores. He teamed up with
lyricist Hal David, creating
some of his biggest hits —
recorded by Tom Jones, Frank
Sinatra, The Beatles, Barbara
Streisand, Aretha Franklin and
more. Over his career,
Bacharach won eight Grammys
and three Oscars.
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Robbie Bachman
Canadian drummer, Robbie
Bachman, died January 12. He
was 69. His brother Randy,
formerly with The Guess Who,
along with another brother Tim
and bassist Fred Turner,
renamed itself Bachman-Turner
Overdrive. The band found
widespread success with songs
such as “Takin’ Care Of
Business,” “You Ain’t Seen
Nothin’ Yet,” and “Roll On
Down The Highway.”
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This is a
series of
brief stories
about popular
songs and
artists that
you may find
fascinating .
. . or
perhaps merely
interesting.
Watch for more
in future
issues.
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Maria Muldaur
tells it like
it is
“ ‘Cause I'm
a woman…
W-O-M-A-N…
I'll say it
again . .
.”
Maria Muldaur
(formerly
Maria D’Amoto)
had a hit with
the sultry
song, “I’m a
Woman” in 1975
when she was
with the Jim Kweskin
Jug
Band.
Her
whimsically
seductive
style was
particularly
well showcased
in the song,
which she
described as
“a positive
statement of
feminine
self-reliance.”
Peggy Lee had
the first hit
with “I’m A
Woman” in
1963, but
Maria’s
version easily
outsold
it.
An
interesting
side
note:
The witty
lyrics
perfectly
express a
female point
of view, yet
the song was
actually
written by two
men — Jerry
Leiber and
Mike Stoller —
the legendary
composers of
rock and
R&B
classics such
as “Hound
Dog,” “Yakey
Yak,” “Stand
By Me,”
‘Kansas City,”
“Save the Last
Dance for Me,”
and the
Kingston Trio
classic “The
Reverend Mr.
Black.”
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A Special Thanks to
our Membership
Contributors!!
Sustaining
Members
-
John J. Allan
-
Betsy
Anderson
-
Carol & Fred
Spanuello
Supporting Members
($50 -
$199)
-
Dan Anderson
-
Bill & Mary
Boylan
-
Bob Cordova
-
Lora Ilhardt
-
Tony & Ann
Janacek
-
Paul
Klonowski
-
Ken & Pat
Lagerstrom
-
Dottie & Gerry
Lee
-
Bill & Connie
Lemos
-
Andrew
Malkewicz
-
Chuck & Susan
Maltese
-
Bill & Sandhya
Matthews
-
George
Mattson
-
Gregg & Betty
Ann Morton
-
Bud & Mary Jane
O'Connor
-
Bob & Mimi
O'Hanlon
-
Rich Pawela
-
Jim Scalone
-
Joe & Pam
Schumacher
-
Anonymous
-
Tobias Music
-
James
Videbeck
New & Returning
Members
-
Jim Chesney
-
Bethany
DeHaan
-
Ted Hogan
-
Sarah
Kierstead
-
Joseph
Michelotti
-
Wayne
Oestreicher
-
Gary Rotramel
If you would like to
become a member or
just need to renew,
here is a link to
the renewal form that you can
print and mail.
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Bob O'Hanlon -
President
reohanlon@gmail.com
(630) 702-0150
Bill Lemos - VP,
Secretary
lemos.bill@comcast.net
Connie Lawlor -
Treasurer
2023 Board
Members
-
Dave
Humphreys
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Kristen
Fuller
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Jennifer
Shilt
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Jim Gilroy
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Dottie Lee -
Technical
Support
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Bill Lemos -
Editor
Dottie Lee - Tech
Support
Bob O'Hanlon
Andy Malkewicz
Lilli Kuzma
Jennifer Ashley
Joel Simpson
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